Czech Philharmonic

Semyon Bychkov, Czech Philharmonic

Music by Richard Wagner is Buddhistic, and music by Gustav Mahler is life itself. At least that is what we are told by the Czech Philharmonic’s chief conductor Semyon Bychkov, who has been involved with both composers throughout his career. And the Italian Symphony by Mendelssohn-Bartholdy is beautiful, plain and simple. We invite you to a concert that begins with a symphony and ends with an overture.

vocalconcert
wagner
orchestra
mahler
semjonbyčkov
classicalmusic
concert
rudolfinum

All dates

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Mon
Tue
Wed
Thu
Fri
Sat
Sun
Mon
Tue
Wed
Thu
Fri
Sat
Sun

Wednesday

2/18/2026


7:30 PM


Rudolfinum - Dvořák Hall

Praha


200 - 1650 CZK

Thursday

2/19/2026


7:30 PM


Rudolfinum - Dvořák Hall

Praha


200 - 1650 CZK

Friday

2/20/2026


7:30 PM


Rudolfinum - Dvořák Hall

Praha


200 - 1650 CZK

Description

ABOUT THE CONCERT

Mahler’s Kindertotenlieder (Songs on the Death of Children) moved the singer Fleur Barron the first time she heard them. “I have never felt that it is hard work to interpret or understand the content. It has always been perfectly clear to me. One can simply immerse oneself in Mahler's musical world—and for the listener, it is essential to surrender to it. Let these beautiful sound waves enter you and see what you experience. I perceive this music as an ocean of great strength.”

When Semyon Bychkov heard Mahler’s music for the first time as a student during a break between classes, when it was being played in one of the halls at the Mikhail S. Glinka Choir School, he was so thrilled by it that he forgot to return to class. His intense fascination with Mahler has lasted to the present day. Since 2022, he has been recording the complete Mahler symphonies with the Czech Philharmonic. “Something can’t be explained in words, but it is possible to feel it. And I feel that this is the perfect orchestra for the music of Gustav Mahler”, says our current chief conductor.

“Discovering Mahler’s music is like discovering life itself. Experiencing it means being drawn into his world and values. What arises from his music, letters, and the testimony of those who knew him is the duality of this man. As a creator and, at the same time, an interpreter, he invents sounds that recreate the world of nature and people. He had less than 51 years to become aware of the fundamental questions of our existence, and even less time to answer them. Still, it was long enough for him to express the polyphony of life: its nobility and banality, its reality and its otherworldliness, its childlike naiveté and its inherent tragedy”, says Maestro Bychkov.

Bychkov gives the music of Richard Wagner a surprising description: Buddhistic. He says his operas have no beginning or ending, and that normal time seemingly does not exist in them. We will be able to put that assertion to the test in the overture to Wagner’s Tannhäuser. Bychkov has conducted the opera at London’s Covent Garden and elsewhere. For Lohengrin he won the award from the BBC Music Magazine for the best recording of 2010. Currently, he is in the middle of a cycle at Bayreuth with Tristan und Isolde. In other words, he is a Wagner specialist.

The first performance of Tannhäuser Overture separate from the opera was given in 1846 by Felix Mendelssohn-Bartholdy, whose joyous Italian Symphony opens the concert.

Subscription series B

Programme

Felix Mendelssohn Bartholdy
Symphony No. 4 in A major, Op. 90 “Italian” 

Gustav Mahler
Kindertotenlieder 

Richard Wagner
Tannhäuser, overture to the opera

Performers

Fleur Barron mezzo-soprano 

Semyon Bychkov conductor
Czech Philharmonic

Show more
Length 90 minutes
Music
Felix Mendelssohn-Bartholdy
Music
Richard Wagner
Music
Gustav Mahler
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