The National Theatre

Dialogues of the Carmelites

Francis Poulenc’s opera depicts the story of young Blanche, seeking peace at a Carmelite convent. Yet fate, or, if you will, life’s absurdity, decides otherwise, with her and the other nuns being condemned to death and guillotined.

premiere

All dates

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Mon
Tue
Wed
Thu
Fri
Sat
Sun
Mon
Tue
Wed
Thu
Fri
Sat
Sun

Thursday

5/21/2026


7:00 PM


The State Opera Prague

Praha


490 - 1490 CZK

Sunday

5/24/2026


7:00 PM


The State Opera Prague

Praha


490 - 1490 CZK

Thursday

5/28/2026


7:00 PM


The State Opera Prague

Praha


490 - 1490 CZK

Sunday

5/31/2026


6:00 PM


The State Opera Prague

Praha


490 - 1490 CZK

Thursday

6/4/2026


7:00 PM


The State Opera Prague

Praha


250 - 1490 CZK

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Description

About

State Opera Chorus
State Opera Orchestra
National Theatre Opera Ballet

Dialogues des Carmélites is the second, and undoubtedly most weighty, of Francis Poulenc’s three operas. The composer based the libretto on a screenplay by Georges Bernanos, a French Catholic writer of the first half of the 20th century, who had been hired in 1947 to pen the dialogues for a script inspired by the German Catholic author Gertrud von Le Fort’s novella Die Letzte am Schafott (The Song on the Scaffold). Yet the film was not made and, after Bernanos’s death, the screenplay was in 1949 published as a drama, titled Dialogues des Carmélites. Several years later, the play served as the basis of Poulenc’s libretto to his opera. The story draws upon a tragic event during the post-French Revolution Reign of Terror, when 16 innocent nuns of the Carmel of Compiègne were arrested, condemned to death and, a few days before Robespierre’s passing and the end of the Terror, guillotined. Just like Bernanos’s play, Poulenc’s opera focuses on the fate of Blanche de la Force, a shy, fearful girl who retreats from the world and enters a Carmelite convent so as to escape life’s travails.  Paradoxically, taking this decision ultimately results in her being executed and thus becoming a martyr ...

To what extent do we control our lives, and what role does fear play in our destiny? These are the main themes of Poulenc’s opera, whose music is extremely gentle on the ear, with its style akin to Impressionism and its tender lyricism gradating in the famous final scene, in which the song of the nuns approaching their death mingles with the dreadful sound of the guillotine dropping.

Cast

Marquis de la Force: Paul Gay

Chevalier de la Force: Daniel Matoušek

Blanche de la Force: Jana Sibera

Madame de Croissy: Markéta Cukrová

Sister Constance of St. Dennis: Ekaterina Krovateva

Mother Maria of the Incarnation: Tone Kummervold

Madam Lidoine, Mother Thérèse of the St. Augustine: Tamara Morozová

Mother Jeane of the Holy Child Jesus: Lucie Hilscherová

Sister Mathilde: Stanislava Jirků

Sister Mathilde: Stanislava Jirků

Chaplain of the monastery: Michael Skalický

First Commissioner: Vít Šantora

Creatives

Stage director: Barbora Horáková Joly

Sets: Ines Nadler

Costume design: Annemarie Bulla

Light design: Sascha Zauner

Videoart: Sergio Verde

Movement coach: Jan Adam

Chorus master: Adolf Melichar

Dramaturgy: Ondřej Hučín

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